DBX 166XL PDF

I’ve now had a new DBX XL for a few months but I don’t feel I’m ever going to be happy with it. The main problem seems to be, on speech. The dbx XL is a compressor – limiter – gate in the form of a rackmountable piece of outboard gear. It is an analog piece of equipment and it has both XLR. Congratulations on choosing the dbx XL Compressor / Gate. The XL provides two channels of noise gating,. OverEasy® or classic hard knee.

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Well done and enjoyable performance: While its pretty clean, the sound won’t blow you away. Thomann uses cookies to give you the best shopping experience.

DBX XS – Thomann UK

Most members of our service staff are musicians themselves, and therefore excellently qualified to help our customers from the choice of their instruments all the way to maintenance or repairs. Much better sound level, compression is not the sound of the gate, the quality of manufacturing is felt more at the touch of the notches of pots DBX XS ratings.

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DBX 166 XS

Well, a model compressor “dual mono” or your choice and it’s super via a little switch Stereo! Available immediately This item is in stock and can be dispatched immediately. Cookies help us improve performance, enhance user experience and deliver our services.

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VU had a little nitre t nice to compare the output level with that of It is missing two knobs and has one rack mount hole that is pretty chewed up. Performance Synthesizer Fully-fledged digital workstation with synthesis parts, sequencer, effects and video output, 16 individual tracks for different synthesis forms and samplers, Innovative pattern sequencer with infinite pattern length and complex control options for each step, MIDI, CV, Trigger, Customers who looked at this item have bought these: Good point, to outline the key which does not compress much lower than the rest of the spectrum.

DBX XL: Signal Processors/Rack Effects | eBay

I have bump on the Drawmer and BSS, it has nothing to do but the price is not the same. Thomann is the largest online and mail order retailer for musical instruments as well as light and sound equipment worldwide, having about 10m customers in countries and See each listing for international shipping options and costs.

I do not regret buying the S-Com Plusbecause it made me realize the difference between the two machines. Here, I use it only in this application and lightly, but the difference is clearly audible.

All user reviews for the dbx 166XL

I would do without 166l that choice if I were to resume this type of material. Please make note of our terms and conditions for buying educational software under “Downloads” at the bottom of this page before These are other customers’ choices: Without going into dtails, there are more suitable compressors situations than others.

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We are musicians ourselves and share your passion for making music. This is a good camera to learn to use a compressor, 166xp it requires to really get the rglages to get out a good rsultat. Recently viewed Teenage Engineering OP-Z Performance Synthesizer Fully-fledged 166xxl workstation with synthesis parts, sequencer, effects and video output, 16 individual tracks for different synthesis forms and samplers, Innovative pattern sequencer with infinite pattern length and complex control options for each step, MIDI, CV, Trigger, But it does the job nicely.

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Also shop in Also shop in. I like this model better dbz the dbx XL1166xl they are pretty similar in nature, I just think that the xl sounds better and cleaner, and is probably worth the difference in price. Advanced gate circuitry uses new timing algorithms so release characteristics are smooth and natural – no awkward cut-offs or abrupt closings, even with complex s Only the transition to a digital table that I use less, but I use it in a home studio in addition to my TL Audio well, not like it either but 16xl if I made the taf too many tracks at once.

And it’s stupid, ais looove the little lights that tell you if your XL works well or not in a glance, you know that it turns, it optimizes your signal, if the “dual mono” or the gate is “in” etc.